Skip to content

References

Adams, D’Andre, Daniela Beckelhymer, and Alison Marr. 2019. “Choose Your Own Adventure: An Analysis of Interactive Gamebooks Using Graph Theory.” Journal of Humanistic Mathematics 9 (2): 44–59. doi:10.5642/jhummath.201902.05.

Archambault, Angela M. 2016. “The Function of Sound in the Gothic Novels of Ann Radcliffe, Matthew Lewis and Charles Maturin.” Études Épistémè, no. 29 (June). doi:10.4000/episteme.965.

Arnaudo, Marco. 2023. “Studying Gamebooks: A Framework for Analysis.” Analog Game Studies 10 (4). https://analoggamestudies.org/2023/09/studying-gamebooks-a-framework-for-analysis/.

Borges, Jorge Luis, Silvina Ocampo, and Adolfo Bioy Casares, eds. 1988. The Book of Fantasy. New York, NY: Viking.

Bottari, Sabrina, ed. 2022. Dark ladies: racconti di scrittrici vittoriane che vi faranno morire di paura. Blackie edizioni 27. Milano: Blackie.

Brittan, Francesca. 2017. Music and Fantasy in the Age of Berlioz. Cambridge University Press.

Caillois, Roger. 1977. Anthologie du fantastique. nrf 0309859. Paris: Gallimard.

Calvino, Italo. 2009. Fantastic Tales: Visionary and Everyday. Di 1 ban. Penguin Modern Classics. London: Penguin.

Donovan, Siobhán, and Robin Elliott. 2004. Music and Literature in German Romanticism. Vol. 1. Camden House.

Elferen, Isabella Van. 2012. Gothic Music: The Sounds of the Uncanny. University of Wales Press.

Godin, Jon. 2008. “Gothic Structures and Musical Compositions: Fiction, Criticism, and Early Romantic Music.” MUSICAL STRUCTURE, January. https://www.academia.edu/91408402/Gothic_structures_and_musical_compositions_Fiction_criticism_and_early_romantic_music.

Kämpf, Christian. 2024. The New Shudder: About the Fantastic of Musical Romanticism. Springer Nature.

Lovecraft, H. P. 1973. Supernational Horror in Literature. Repr. d. Ausg. 1945. New York: Dover Publ.

McEvoy, Emma. 2024. The Music of the Gothic 1789-1820. Cambridge Elements. Elements in the Gothic. Cambridge: Cambridge University Press.

Milbank, Alison. 2022. “Making Strange: Teaching 19th-Century Gothic and Fantastic Literature.” Literature and Theology 36 (4): 397–406. doi:10.1093/litthe/frac031.

Miner, Margaret. 1994. “Phantoms of Genius: Women and the Fantastic in the Opera-House Mystery.” 19th-Century Music 18 (2): 121–35. doi:10.2307/746356.

Noske, Frits. 1981. “Sound and Sentiment: The Function of Music in the Gothic Novel.” Music & Letters 62 (2). JSTOR: 162–75. https://www.jstor.org/stable/735031.

Ratail, Lucie. 2021. “Gothic Sounds and the Foreshadowing of Victorian Soundscapes.” Cahiers Victoriens et Édouardiens, no. 94 Automne (October). doi:10.4000/cve.9505.

Rusu, Iulian. 2024. “THE FANTASTIC IN MUSIC.” Studia Universitatis Babes-Bolyai - Musica 69 (2): 251–69. doi:https://doi.org/10.24193/subbmusica.2024.2.18.

Spooner, Catherine, and Emma McEvoy, eds. 2007. The Routledge Companion to Gothic. 0 ed. Routledge. doi:10.4324/9780203935170.

Wake, Paul. 2016. “Life and Death in the Second Person: Identification, Empathy, and Antipathy in the Adventure Gamebook.” Narrative 24 (2): 190–210. doi:10.1353/nar.2016.0009.